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Eugenio Viola : ウィキペディア英語版 | Eugenio Viola
Eugenio Viola (born 1975, Naples) is an Italian art critic and curator. He got his Ph.D. in “Methods and Methodologies of Archaeological and Historical-Artistic Research” at the University of Salerno. Since 2009 he is curator at MADRE, the Contemporary Art Museum of Naples. == Institutional work as a curator == At Madre Museum in Naples, from 2009 to 2012, he was the Curator of the Project Room, a space dedicated to the young and experimental artists. He arranged - right before the “Arabian Spring”- a network residence and exhibition program in partnership with some institutions and nonprofit organizations from Middle East (Transit Project: Madre Museum, Naples / Townhouse, Cairo / PiST, Istanbul / CCA, Tel Aviv / State Museum, Thessaloniki, 2009-2011); and an annual performance festival named Corpus. Art in Action (2009-2012), presenting site-specific actions of a number of artists such as Tania Bruguera, Regina Josè Galindo, Teresa Margolles, Maria José Arjona, Ron Athey, Milica Tomic, Tobias Bernstrup, Kira O’Reilly, Davide Balliano, Francesca Grilli, Jamie Shovlin and Lustfaust, and many others. Since 2013, as Curator at Large, he is responsible for the research and development of the Madre Museum's collection ('Per_forming a collection' project started in 2013). He co-curated the first Italian large-scale exhibition of Francis Alÿs (Reel-Unreel. Afghan Projects, 2010–14); a complex Daniel Buren’s project, conceived in two times: 'Comme un jeu d’enfant' (Work in situ, 2014-2015, Madre Museum, Naples - #1); 'Axer / Désaxer' (Work in situ, 2015, Madre Museum, Napoli - #2); the biggest exhibition ever devoted to the Italian artists Vettor Pisani and Giulia Piscitelli.
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